Abstract
The Wedge I sculptural range was kiln cast in glass with a pâte de verre mix of glass frit and bone china. The forms resemble wedges of a larger whole, which have been cut up and highly polished. Created in blue and opaline white glass this artwork displays a range of translucent and transparent effects.
The Spliced III sculptural range was kiln cast in glass with a space for an internal core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble slices of a larger whole, which have been cut open to reveal an inner core with the mix of glass and ceramics at the centre of each piece; set at slightly different angles the forms subtly lean away from each other. Created in cobalt blue glass this artwork displays a range of translucent and transparent effects.
The Segment sculptural range was kiln cast in glass with a space for a core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble slices of a larger whole, which have been cut open to reveal a core with the mix of glass and ceramics at the centre of each piece; set at slightly different angles the forms subtly lean away from each other. Created in steel blue and opaline glass this artwork displays a range of translucent and transparent effects.
The Wedge II sculptural range was kiln cast in glass with a space for an internal core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble wedges of a larger whole, which have been cut up and highly polished. Created in clear and opaline white glass this artwork displays a range of translucent and transparent effects.
The Spliced III sculptural range was kiln cast in glass with a space for an internal core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble slices of a larger whole, which have been cut open to reveal an inner core with the mix of glass and ceramics at the centre of each piece; set at slightly different angles the forms subtly lean away from each other. Created in cobalt blue glass this artwork displays a range of translucent and transparent effects.
The Segment sculptural range was kiln cast in glass with a space for a core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble slices of a larger whole, which have been cut open to reveal a core with the mix of glass and ceramics at the centre of each piece; set at slightly different angles the forms subtly lean away from each other. Created in steel blue and opaline glass this artwork displays a range of translucent and transparent effects.
The Wedge II sculptural range was kiln cast in glass with a space for an internal core which was packed and fired with a pâte de verre mix of glass frit and bone china. The forms resemble wedges of a larger whole, which have been cut up and highly polished. Created in clear and opaline white glass this artwork displays a range of translucent and transparent effects.
| Original language | English |
|---|---|
| Publication status | Published - Oct 2012 |
Keywords / Materials (for Non-textual outputs)
- GLASS
- KILN CAST
- CERAMICS
- MIXED MEDIA
- SCULPTURE
- CRAFT
- HANDMADE
Fingerprint
Dive into the research topics of 'Wedge I, Spliced III, Segment & Wedge II: Sculptural kiln cast glass'. Together they form a unique fingerprint.Research output
- 1 Exhibition
-
Craft Scotland at Sofa Chicago 2012
Kelly, J. (Artist), Nov 2012Research output: Non-textual form › Exhibition
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