'You cannot shake that shimmie here': producing mobility on the dance floor

T Cresswell*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract / Description of output

This paper examines the regulation of ballroom dancing in England in the first four decades of the 20th century. It demonstrates how various forms of dance considered to be 'American', particularly the 'shimmy', were labelled as degenerate and threatening, and how the newly formed Imperial Society for Teachers of Dancing and the dance master and band leader Victor Silvester sought to produce a thoroughly regulated and encoded 'English' style of ballroom dancing. The paper charts the various strategies of representation and standardization that were used to enact this regulation of corporeal mobility. Theoretically the paper argues for in interpretive approach to bodily Movement that considers bodily movement in the context of wider contexts Of cultural geographies of mobility. In so doing it contributes to a growing body of work on the politics of mobility in the modern West and, particularly, the cultural politics Of dance.

Original languageEnglish
Pages (from-to)55-77
Number of pages23
JournalCultural Geographies
Volume13
Issue number1
DOIs
Publication statusPublished - Jan 2006

Keywords / Materials (for Non-textual outputs)

  • NONREPRESENTATIONAL THEORY
  • POLITICS
  • PERFORMATIVITY
  • EVENT
  • POWER

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