Edinburgh Research Explorer

Why concert promoters matter

Research output: Contribution to journalArticle

Related Edinburgh Organisations

Access status

Open

Documents

  • Download as Adobe PDF

    Rights statement: © Brennan, M., & Webster, E. (2011). Why concert promoters matter. Scottish Music Review, 2(1), 1-25

    Final published version, 173 KB, PDF-document

http://www.scottishmusicreview.org/index.php/SMR/article/view/17/15
Original languageEnglish
Pages (from-to)1-25
Number of pages25
JournalScottish Music Review
Volume2
Issue number1
StatePublished - 2011

Abstract

Forming a companion piece to Frith’s 2007 article on why live music matters, this paper argues that there is a need to refine accounts of the music industries to reflect live music’s growing dominance. It does so by focusing on the rock/ pop concert promoter and posits that in contrast to traditional definitions, the role of the promoter is astonishingly flexible and adaptable. The authors argue that the promoter necessarily ‘wears many hats’ and offer three promotional models to understand the work that promoters do. To illustrate this and to understand the development of live music promotion in the UK from 1955 onwards, the article compares and contrasts historical research with contemporary ethnography.

Download statistics

No data available

ID: 4416870